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RinÄen and Montagu after him mention the old fashioned Mongolian custom of asking whether the opponent was playing his bers bold or cautious (maybe this was the question that the old lama actually was asking S. Cammann before their game?) to signify the choice of the more and less powerful moves for this piece (queen or dragon king). I wonder if any of the readers here have played this game with the shortened camel move (Kisliuk describes it as 1-3 squares). I have the quite unsubstantiated impression that the "bold" camel is slightly more valuable or desirable to retain than our bishop when the bers is played "cautious." I have not tried the shortened camel move against an opponent yet. Thoughts, anyone? I truly would like to know more about the ancient treatise that Montagu mentions is to be found in the Ulaanbaatar National Library. My attempts to discover information elsewhere about it and what it may reveal about the history of this game have been fruitless to date.
Thank you, Mr. Müller, for your advice! I must tip my hat to the man of greater ability; I am too dim to script a ZRF for shatar, it seems. I have wondered if any who read these pages who are Mongolian or Tuvinian, or who play shatar with Mongolians or Tuvinians, whether the modification to the horse pieces (wind horses?) in this picture (http://history.chess.free.fr/images/shatar/pozzi/mori-knight-02-tuva-r.jpg) signifies the enhanced horse (i.e., with Amazon power after the first move) that Assia Popova describes. It would be curious to see how a piece so powerful, yet incapable of delivering checkamte, interacts with the other pieces. At least, it seems easier to avoid the draws that obtain under shatar's special rules for checkmate.
@Yu Ren Dong: I was reading an article of Ivor Montagu in British Chess of 1958. He mentions that there is an ancient treatise on Mongolian chess in the National Library of Ulaanbaatar. I wonder if that source is cited in the book on Mongolian chess that you quoted in earlier comments or if you know whether that book has been transcribed or translated into other languages. @MatsWinther: I wonder if you have made a ZRF for Mongolian chess like your very nice ZRF for hiashatar. I have to say that scripting some of the checkmate limitations has been a bit of a nightmare for us to attempt. Best wishes!
@Yu Ren Dong: In the book that you mention, è’™å¤è±¡æ£‹, would you say that 圖嘿 are a kind of special problem literature, a variation on shatar, or a category of possible win conditions that has gone unnoticed in English-language literature until now? I saw that you made additions to the Chinese wiki page for shatar. I wonder if you might, please, submit to the editors a revision, expansion, or additional page on shatar based on your research. I would greatly appreciate their permitting more data on this interesting regional form of chess. Thanks!
@Yu Ren Dong: Thank you for this additional information. I would feel guilty asking for copies of the whole book (pesky copyright laws and rights to intellectual property, and all that), but I think that your response answers the initial question that I wrote: there are superior forms of victory, and these positions (and the ones that you put on wikipedia) illustrate principles in problems. I had considered that the enlarged forms of shatar might be regional: I had wondered if there production might be related to the activities of Buddhist monasteries. It is wild conjecture on my part to think that Japanese Buddhist monks might have thought up enlarged forms of shogi, and therefore, that Mongolian Buddhist monks might have thought up enlarged forms of shatar.
@Yu Ren Dong: Thank you for this information. I had seen this book advertised and wondered about the content. I wonder if it includes game scores that illustrate the differences of rules, variations, etc. I wonder also if it describes in a more complete fashion the large versions of shatar that I understand are played on 9x9, 10x10, 11x11, 12x12 boards. You were very kind to supply these details.
@Shi Ji: I was reading detail reported by an Italian anthropologist who investigated shatar, that the move of the bers, i.e., like shogi's dragon king and like the FIDE queen, are alternatives used depending on the status of one or both players. If one player is in mourning, the bers moves like the dragon queen; if not, the bers moves like the FIDE queen. I have not seen another source for this detail, and, since the anthropologist seems to have surveyed rules in the Republic of Mongolia, perhaps a description appertaining to Inner Mongolia might differ -- or not -- I am as curious as you are.
Recently I came across some shatar problem literature, a couple of collections of what seem to be checkmate problems, but they differ in some respects from international chess checkmate problems so that I wonder either if we have a complete understanding of Mongolian checkmate rules or of aesthetic conventions that may be dear to Mongolians in their chess play. In not a few of the examples in these collections the solutions proposed are not the most efficient (sometimes the diagram has an immediate checkmate by our conventions but that does not use all the material on the board), involve the pieces gaining the checkmate from the initial position moving only once, and seem all to end with checkmate being delivered by a pawn. I wonder if there is in addition to the prohibition of delivering immediate checkmate by pawn a superior win condition because checkmate is delivered finally by a pawn after a series of checks (maybe extra stakes if a bet had been placed on the game?). I wonder also if there is a prohibition on repeated or multiple checks by the same piece. I know of no authentic shatar game scores on which to conjecture an opinion. My inferences are based only on the diagrams and solutions to be read in these Mongolian texts; I am completely sure that a chess master composing a book of problems must not fail to see an immediate checkmate that someone like me could recognize. And yet, I cannot read Mongolian so as to understand the description of the conventions and goals of such problem literature as he may have seen fit to record. I hope that a Mongolian shatar player could enlighten me. As to identifying the historical source for chess among the Mongolians, I wonder if this inference about pawn-delivered checkmate as a flourish of good chess play would be another datum pointing to a Persian-Arab ancestor rather than one directly from India.
See a compilation of those wonderful Mongolian Shatar sets on : http://www.chez.com/cazaux/shatar.htm
The army from this game could be useful in a group of Chess with Different Slightly-Weaker-Than-FIDE Armies. What is the literal meaning of Berse? If it is something suitable I may use the name Berse to replace the apparently unpopular Chatelaine in my piece article Constitutional Characters (http://www.chessvariants.com/piececlopedia.dir/constitutional-characters.html)
(Sorry for my rusengl) You can see mongolian chess's figures from bone of the mammoth (!)at official site A. Karpov http://www.karpov.ru/katalog/_mongol_en.php
nice site,I was just wondering of you knew of any places to play online, Let me know if you are aware of a place to play online. Thanks.
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An interesting regional variant with some rules about checking the king that make winning a bit more challenging at times.